Britney Oops I Did It Again Costume
| Oops!... I Did It Again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did Information technology Over again is the second studio anthology by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More than Time (1999), it is a pop, dance-popular, and teen pop record, the album incorporates a more funkier and R&B sounds. [ane] Contributions to the anthology'south production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number one in over 20 countries while peaking within the top five in various other. In the U.s.a., information technology debuted at number 1 on the Billboard 200, with starting time-calendar week sales of ane.39 meg copies, becoming the fastest selling anthology by a female person artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[iii] This tape was broken fifteen years later past Adele's 25, which sold over 3.38 million copies in its first calendar week of release.[4] It became Spears' second sequent anthology to be certified Diamond by the Recording Manufacture Association of America, cogent sales of over ten million copies in the United States, making Spears at historic period 18 the youngest artist to have multiple diamond albums.[5] With worldwide sales of over 20 meg copies,[half-dozen] Oops!... I Did It Again is 1 of the best-selling albums of all-time.
Four singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number i in fifteen countries and peaking at number ix on the U.s. Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Germany, Sweden and Switzerland, within the elevation x in Commonwealth of australia, Belgium, Canada, Denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number twenty-three on the U.s. Billboard Hot 100. Its third single, "Stronger", reached the peak 10 in Republic of austria, Finland, Federal republic of germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number xi on the US Billboard Hot 100. "Stronger" became the highest-selling unmarried off the album, receiving a Gold certification in Australia, Denmark, Germany, New Zealand, Sweden, and the United States. Its concluding single, "Don't Let Me Be the Final to Know", was moderately successful on the charts, peaking at number one in Romania, and within the top ten in Austria, Poland, and Switzerland, merely failed to nautical chart on the U.s.a. Billboard Hot 100. To promote the anthology, Spears performed on several tv set shows and honour ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She as well was the host and musical guest for the kickoff fourth dimension on Sat Night Alive. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Once more Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the first anthology, I had merely turned 16. I mean, when I look at the album cover, I'm like, 'Oh, my lordy.' I know this adjacent album's going to be totally different--peculiarly the fabric. I just got finished recording the first six tracks in Sweden two months ago, and the material is then much more funkier and edgier. And, of class, it's more than mature considering I've grown as a person as well."
—Spears on the progression of her textile for the album.[7]
Afterwards vacationing for six days following the completion of the ...Baby One More Time Tour in September 1999,[eight] Spears returned to New York City to begin recording songs for her next album; the bulk of the recording took place in Nov. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on Past" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the kickoff to be recorded at Martin's Cheiron Studios in the beginning week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the title rail) in January 2000. Spears recorded "Don't Allow Me Be the Final to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[x] "Where Are Yous Now" was an outtake from ...Baby I More than Time. "Girl in the Mirror" and "Can't Brand You Dearest Me"'s instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[xi] [12] Spears returned to New York, linking upward with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that 24-hour interval. "One Kiss from Y'all" was likewise recorded at Battery Studios just was afterward finished at 3rd Floor in New York Metropolis. Spears besides recorded the final track for the album "Beloved Diary" which would afterwards be completed at E Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Center". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[thirteen] [14]
By January, the then-untitled album was halfway to completion; Spears had worked on it primarily in the Us and Sweden, and finalized material in New York City.[9] She was heavily pressured after ...Baby I More Fourth dimension 's huge commercial success, stating: "It's kind of hard following 10 million, I accept to say. But after listening to the new textile and recording it, I'm really confident with it."[xv] Upon the release of Oops!...I Did It Over again, Spears said: "I hateful, of form in that location's some pressure", and added: "Simply in my opinion, [Oops!] is a lot better than the first album. It's edgier – it has more of an attitude. It's more me, and I recollect teenagers will chronicle to it more." Geoff Mayfield, manager of Billboard charts, added that the conclusion to release Oops!... I Did It Again less than a year and a half later Spears' debut amounts to "very smart timing. My philosophy is when you take a young fan base, get 'em while they're hot."[16]
Music and lyrics [edit]
Oops!... I Did It Once again was considered equally a sequel to Spears' debut album, ...Baby I More Time (1999),[1] percolating with a carefully measured blend of familiar popular, funk, R&B and ability balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop audio. "It's not something I changed purposefully", Spears said of the album's sound and added: "Information technology's just something that kind of changed on itself with me beingness older. My voice has changed a petty scrap and I'm more than confident, and I remember that comes across on the material."[7] One of its producers, Rodney "Darkchild" Jerkins talked nigh working with Spears on a Rolling Stones cover, stating: "It's going to daze everybody", adding: "Information technology has flavors of the original, but it's a direct 2000 version — new to the ear. Which I think is cool, because people who appreciate that song are going to beloved it. And I fabricated information technology so new and young that the young kids that love Britney are going to beloved information technology. It's going to catch both a mature and young audience."[eighteen] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Final to Know", telling MTV News: "When you hear the song, it's so pure and delicate. It's simply 1 of those songs that pull you in", and added: "I recall they wrote it 'specially for me, because the lyrics of the song, if you really listen … they're more of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm proverb."[18]
The title track and opening song, "Oops!... I Did Information technology Again", was compared to her debut single, "...Infant One More Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized crush. Lyrically, the vocal sees Spears warning to an overeager prospective lover: "Oops, you lot think I'm in love/That I'm sent from above — I'one thousand non that innocent."[19] The song also breaks downward for a spoken-word interlude, involving a line from the film Titanic (1997).[xix] The second track "Stronger" is a synthpop[20] and R&B-infused track,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her similar property.[21] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby I More Fourth dimension".[18] Some other R&B-infused rails, which besides adds a bit more funk to the mix,[eighteen] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakdown.[21] The fourth track, a cover of the Rolling Stones' "(I Tin't Get No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry, crackling lockstep is thrown downwardly, turning the vocal into an urban stomp.[22] The dance-pop version also jettisons the song'due south final verse and adds some new lyrics[xviii] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[Information technology] was my idea [to record the vocal]", Spears said. "I was just similar, 'I like this song,' and I think it volition be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song similar that."[24] The fifth track, "Don't Let Me Be the Last to Know", was co-written by country-pop singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the rail.[18] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say y'all're into me ... but I need to hear it straight from you", she sings.[xviii]
The sixth rail "What U See (Is What U Go)" demands respect by rebuking a jealous partner,[21] while the seventh rail, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can exist empty.[21] "If there's cypher missing in my life/Then why do these tears come at night?", she asks.[20] "School crush" is the theme of "I Buss from You",[21] a rails that has a reggae-style trounce and lyrics about the feelings of falling in dearest, and the quickness of it,[25] with Spears cooing that later only i buss she sees her entire time to come with her lover.[26] The ballad "Where Are You Now" talks nearly wanting to know where a previous love is, and what that person is upwardly to, so that she can finally permit them go and observe closure.[ commendation needed ] Lines on "Tin can't Make Yous Love Me", a Europop song,[22] state that fancy cars and money pale in comparison to true honey,[21] with Spears singing: "I'm just a girl with a beat on yous."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string section with a loping hip hop crush,[18] while Spears makes her ain songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the rail, she sings of wanting to become "so much more than friends" with a male child.[xviii]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with alive performances of her past songs. She appeared on Smash Hits in the Britain.[27] In Italy, she did a brusque interview on the tv set testify TRL Italian republic in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[27] In Spain, she gave an interview with El Rayo on September 8 and October 24.[27] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a brusque United Kingdom outing in October 2000.[28]
Oops!... I Did Information technology Again was showtime released in Nippon on May iii, 2000, and was later released in the Us on May 16. In the U.s., Spears appeared on Saturday Night Live on May xiii, The Rosie O'Donnell Show on May xv, and Teen People'due south 25 Nether 25 on May 26.[29] On May ten, she was interviewed on Belatedly Nighttime with Conan O'Brien.[27] On May thirteen, Spears was both the host and musical guest on NBC's Saturday Nighttime Live. She also performed on NBC'southward The This evening Bear witness with Jay Leno on May 23.[thirty] Spears' held her post-TRL listening political party, "Britney's Commencement Listen", on May 16, and was toast the arrival of her album on next Tuesday'due south installment of TRL that started at 3:xxx p.one thousand. (ET).[31] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio Metropolis Music Hall, Spears gave a memorable live performance.[32] which included a cover of the Rolling Stones'south hit single "(I Can't Become No) Satisfaction" (1965) and her ain striking "Oops!... I Did It Over again", released earlier that year. While she began her segment in a blackness arrange, she shocked the audience and the media while, at only the historic period of eighteen, ripped it off to display a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] 1 month earlier the release of the album, Spears headed to Hawaii on Easter Dominicus so she could tape a Fob tv special titled Britney Spears in Hawaii. The costless concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert result was intended to serve every bit a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did It Once again, and on May ii, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was also among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[36] She was also expected to appear on a Grammy-day TRL.[36]
The album's supporting tour, the Oops!... I Did It Once again Bout, visited Due north America, Europe, and Brazil equally function of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Permit Me Be the Last to Know". On June 24, 2000, Spears was featured in a impress and tv set advertising campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the brand chosen "I've Got the Urge to Herbal" that was featured in lx-2d radio spots and was part of a pre-concert video presentation for Spears's fifty-city summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the lead unmarried from the album and achieved worldwide popularity. It became Spears'due south third summit-ten hit single on the United states of america Billboard Hot 100, peaking at number nine; however, in comparison to the huge success of her debut single "...Baby One More than Time", Jive Records considered "Oops!... I Did It Once again" a minor disappointment.[38] The song peaked at number one on the US Mainstream Summit xl,[39] holding the tape for the most radio additions in one mean solar day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did Information technology Again" saw Spears on Mars in now-iconic cherry shiny catsuit, while she is visited past an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the sea at the end of Titanic.[41]
The album's 2nd single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[42] In the United States, "Lucky" just managed to acme at number twenty-3 on the Billboard Hot 100 chart and at number nine on the Mainstream Peak 40.[38] The "glittery" music video sees Spears every bit the narrator and an extra named Lucky, who is a melancholy picture star and shows her conflicted human relationship to fame.[43]
The third single, "Stronger", was released on October 30, 2000 and became the album'due south second highest-charting unmarried in the U.s.a., peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[38] It reached number seven on the United kingdom Singles Chart.[44] Its music video sees Spears catching her boyfriend adulterous on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the pelting,[43] while the chair sequence in the video was inspired past Janet Jackson's video for "The Pleasure Principle".[45]
The fourth and final single, "Don't Allow Me Be the Final to Know", was released on March 5, 2001 and is one of Spears' favorite tracks of her career. In the Us, the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Pinnacle xl. Still, the vocal attained success in Europe, topping the Romanaian Pinnacle 100 and peaking within the peak ten in Austria, Poland and Switzerland, while only missing the acme x in Deutschland, Ireland, Sweden and the United kingdom, peaking at number twelve in all of them.[46] The music video was considered as well racy at the time, portraying Spears in love scenes with her fictional fellow, played past French model Brice Durand.[47]
"Yous Got It All" received a promotional release in France in May 2000. A promotional CD unmarried for "When Your Eyes Say It" was released in the United kingdom of great britain and northern ireland in January 2001.[ commendation needed ]
Critical reception [edit]
| Amass scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau's Consumer Guide |  [50] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | 8/10[52] |
| NME | viii/ten[20] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.net | [54] |
Oops!... I Did It Once more received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[55] Giving the album iv out of v stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic toe-pop that made 'One More Fourth dimension'," merely remarked that, "Fortunately, she and her production team non only have a stronger overall prepare of songs this time, but they also occasionally get carried away with the aforementioned bewildering magpie aesthetic, [...] giv[ing] the anthology character autonomously from the well-crafted dance-popular and ballads that serve as its centre. In the end, information technology's what makes this an entertaining, satisfying listen."[i] Billboard magazine wrote that "'Oops!...' indicates that she'due south developing a soulful edge and emotional depth that can't be conjured with a glass-shattering annotation," praising the album for consistently cast[ing] Spears as a young woman coming to terms with her inner power—and that'due south a darn adept message to offer an impressionable audience."[17] Entertainment Weekly's David Browne gave the anthology a B-rating, writing that the anthology "reminds us once over again that the best new pop can exist a smash of absurd air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a iii-and-a-half out of five stars rating, calling the album "fantastic popular cheese, with much better song-factory hooks than 'N Sync or BSB become", also noting that "the nifty thing nigh Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true kid of rock & whorl tradition."[23] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, human form", commenting that "she'due south washed information technology over again."[20] Lennat Mak of MTV Asia named information technology "a vivid second album", writing that Spears "is armed with a more mature and seasoned pop star await, stronger and poppier songs, and of class, all-encompassing media exposure."[52] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its message only for the way it applies the conventions of the popular-musical medium."[53] Website The A.V. Club was more mixed, calling it "a joyless fleck of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial functioning [edit]
In the Us, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its first day of release.[62] It debuted at number one on the Billboard 200 chart, with start-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest outset-week sales past a female artist.[66] This record was held for 15 years, only to be surpassed in November 2015 by the album 25 past Adele, which sold over 3.38 million albums in the U.s.a. in its outset week.[4] The anthology fell to number two in its 2nd week, with additional sales of 612,000 copies.[67] It held this position for xv consecutive weeks.[68] [69] By its fifth week of availability, Oops!... I Did It Again had sold over three million copies and had passed five million copies by August.[70] On its seventeenth week on the chart,[71] information technology was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The album spent eighty-iv weeks on the Billboard 200, thirty-1 weeks on the Canadian Albums Nautical chart, and ii weeks on the United states of america Itemize Albums.[74] Oops!... I Did It Again debuted at number eighty-ii on the European Top 100 Albums, and rapidly peaked at number one;[75] it sold over four one thousand thousand copies within the continent, beingness certified four-times Platinum by the International Federation of the Phonographic Industry.[76] Oops!... I Did It Again reached number ii on the UK Albums Chart,[40] selling 88,000 copies in the first week of release; it remained in the height five for iv weeks. The album debuted at number i in Canada, selling 95,275 copies in its first week.[77]
It topped the French Albums Chart[78] and the German language Offizielle Top 100, also being certified triple Platinum past the British Phonographic Industry (BPI),[79] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[fourscore] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the anthology debuted at number ii on the Australian Albums Chart, and spent x weeks in the tiptop twenty;[82] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year after shipping 140,000 copies to retailers.[83] [84] Oops!... I Did It Once more opened at number three on the New Zealand Albums Nautical chart and was certified Gold after merely one week on the chart.[85] The Recording Manufacture Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did It Again became the third best-selling album of 2000 in the United States, selling 7,893,544 albums co-ordinate to Nielsen SoundScan[87] and quaternary best-selling anthology co-ordinate to Billboard Yr-Stop of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[89] [xc] Also, the album landed at number twenty-seven on BMG Music Club all-time best-sellers listing with 1.21 meg units, behind Shania Twain'south The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 one thousand thousand).[91] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold ii.v meg copies in its starting time calendar week (second highest commencement week sales by a female creative person worldwide) and sold 15 million copies by the terminate of the year. It was the best-selling female album and tertiary all-time selling album of 2000. The album has sold 20 million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright example confronting Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Grouping and BMG Music Publishing, challenge Spears' "What U Run across (Is What U Get)" and "Can't Brand You Love Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Y'all See Is What You Go" in 1999 to ane of Spears' representatives for consideration on a future anthology, though it was rejected.[93] The case was subsequently dismissed later on it was ruled that they lacked sufficient prove and that there "weren't plenty similarities between the two songs to evidence copyright infringement."[94]
Track list [edit]
| No. | Title | Writer(due south) | Producer(s) | Length |
|---|---|---|---|---|
| one. | "Oops!... I Did It Once more" |
|
| 3:31 |
| ii. | "Stronger" |
|
| 3:23 |
| iii. | "Don't Go Knockin' on My Door" |
|
| 3:43 |
| 4. | "(I Can't Become No) Satisfaction" |
| Rodney Jerkins | iv:23 |
| 5. | "Don't Let Me Be the Last to Know" |
| Lange | 3:fifty |
| 6. | "What U Run into (Is What U Get)" |
|
| 3:36 |
| 7. | "Lucky" |
|
| 3:26 |
| 8. | "1 Kiss from You" | Steve Lunt |
| iii:23 |
| 9. | "Where Are Y'all Now" |
|
| iv:39 |
| 10. | "Can't Make You Love Me" |
|
| 3:17 |
| xi. | "When Your Optics Say It" | Diane Warren |
| 4:29 |
| 12. | "Honey Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Championship | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
| xiii. | "Dear Diary" |
|
| two:46 |
| Total length: | 48:24 | |||
| No. | Title | Writer(s) | Producer(south) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Daughter in the Mirror" | Elofsson |
| 3:36 |
| thirteen. | "You lot Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
| xiv. | "Dear Diary" |
|
| 2:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Optics Say It" | Warren |
| iv:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "You Got It All" | Holmes | White | 4:10 |
| fourteen. | "Heart" |
|
| three:31 |
| 15. | "Beloved Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Don't Permit Me Exist the Last to Know" (Anthology version) | 3:50 |
| 2. | "Don't Permit Me Be the Terminal to Know" (Hex Hector Radio Mix) | 4:01 |
| iii. | "Don't Let Me Be the Last to Know" (Hex Hector Club Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | 5:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | vii:21 |
| 6. | "Oops!... I Did Information technology Once again" (Music video) | 4:11 |
| 7. | "Lucky" (Music video) | iv:07 |
| 8. | "Stronger" (Music video) | iii:37 |
| ix. | "Don't Permit Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did It Again" (Music video) | 4:twenty |
| 2. | "Lucky" (Music video) | iv:14 |
| 3. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did Information technology Again" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | 4:eighteen |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track iv, "(I Tin can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adjusted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Dark-brown – banana engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, banana engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Stonemason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – song engineer
- Jackie Spud – art direction, design
- Mark Seliger – dorsum cover, cover photograph
- Larry "Stone" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – cord coordinator
- Hayley Hill – stylist
- Alfred V. Chocolate-brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – groundwork vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – groundwork vocals
- Charlotte Björkman – groundwork vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Twelvemonth-end charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Run across also [edit]
- List of best-selling albums
- Listing of all-time-selling albums by women
- List of best-selling albums in the United States
- Listing of fastest-selling albums
Notes [edit]
- ^ As of December 2010, Oops!...I Did It Again has sold nine,201,000 copies in the United States according to Nielsen SoundScan,[185] with boosted 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[92]
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- ^ "British album certifications – Britney Spears – Oops!... I Did It Again". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Blazon Oops!... I Did It Once again in the "Search BPI Awards" field so press Enter.
- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato'due south '10'-cellent Sales". Billboard . Retrieved May 27, 2012.
- ^ "American album certifications – Britney Spears – Oops". Recording Industry Clan of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did Information technology Again (Special Uk Edition)". AllMusic. October 9, 2000. Retrieved Baronial 31, 2021.
- ^ "Oops!... I Did It Again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Again Commonwealth of australia Special Edition w/Bonus Disc of Remixes And Videos". Tape Runner United states of america . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Once more Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Over again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once more 20th anniversary edition film vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year past year. 1959-2002] (in Spanish). Madrid, Espana: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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